Selected Reviews

In his earlier days, Logu's work was characterized by folk-religious images. However, in his current work, the artist has attempted to de-link the religious element from his art. Experimenting with diverse themes, formal strategies, and expressive media during the course of this evolution, Logu now calls his work "Neo-Tantric". Though he acknowledges the conventional Tantric images, he endeavors to go beyond the geometric restrictions of these images and find new forms of expression.It is worth noting that his work differs from mainstream Tantric art in India in yet another respect: the influence it owes to the South Indian Tantrism of the Siddhas. In fact, Logu's work draws heavily upon the subversive spirituality of such local Tantric ideologies and practices, and explores certain dark regions that have hitherto remained untouched in Indian art, Tantric or otherwise.
- Sundar Kaali, Tamil Historian, India.

Logu's paintings were selected for display at the 3e Biennale Internationale du Pastel held at Saint-Quentin in France from Nov.12 to Dec.31,1992.Just three artists were selected from all over India, and Logu happened to be one of them.Logu has not learn the art at any special school and he developed his art by sheer practice.The prizes he won in various painting competitions while a college student encouraged him to develop his style." After college, he joined the Raffic Art Gallery in Madurai (India), which helps him study the nuances of the art.
- S.Vydhianathan, 02/01/1993- Indian Express,India.

Logu is a master of texture.In fourteen colored ink drawings that he has put on show, and collectively titled 'Mystic Blossoms', he creates a bewilderingly variegated treat of abstraction. Color explode into pattern of controlled intensity, stunning the viewer by the beauty of it all.
- J.Vasanthan - Art Critic, Dec 22,1996- Indian Express,India.

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